World-Class Musicians Wycliffe Gordon (L) and Jennifer Krupa (R) to Premiere Compositions Apr. 12

The University of Scranton will welcome two guest composers/conductors – trombone legends and internationally acclaimed musicians, composers and educators Wycliffe Gordon (H ’06) and Jennifer Krupa – at its 42nd annual World Premiere Composition Series Concert on Saturday, April 12. The concert begins at 7:30 p.m. Admission is free and seating is on a first-come, first-seated basis at the Houlihan-McLean Center on campus.

The concert will feature the University’s Concert Band and Concert Choir performing the world premieres of commissioned works by Gordon and Krupa, written specifically for the student ensembles. Gordon will compose and conduct compositions for the SATB (Soprano, Alto, Tenor and Bass) mixed choir and trombone soloist Krupa. Gordon and Krupa will reverse roles with Gordon as the soloist for the band piece she composed and will conduct.

“Wycliffe Gordon has been an inspiration to me for decades – not just as a mentor, but as a dear friend,” Krupa said. “He introduced me to so many styles of music and pushed me to go beyond studying jazz history to develop my own voice. This concert band piece reflects just a few of the many ways he has influenced me, from introducing me to the worlds of Louis Armstrong, Jelly Roll Morton and gospel music, to encouraging me to write my own. The themes in this piece blend his influence with elements from my earliest compositions. I can’t wait to share the stage with Wycliffe and The University of Scranton Concert Band and Choir.”

Krupa’s “Cone Themes” for concert band and virtuosic trombonist will be premiered by the University’s Concert Band and soloist Gordon.

“There is no musician alive I am more in awe and amazement of than Wycliffe,” said Cheryl Y. Boga, conductor and director of Performance Music at the University.

Gordon’s three-piece choral cycle – “Blues Hymn,” “It is Spring” and “Ballad for Lena Mae” – will be premiered by the University’s Concert Choir, piano/bass/drums and soloist Krupa.

“Wycliffe and his music hold a very special place in the heart of the university and its students and alumni,” said Boga, who founded the World Premiere Composition Series in 1984. “Wycliffe’s impact musically and spiritually on every heart, ear and mind he touches is immeasurable. We are unbelievably fortunate to regularly benefit from his generosity and open-hearted and expressive musicality.”

Gordon is a regular guest at the University, where he was honored in 2006 with an honorary doctorate. An award-winning trombonist, composer, conductor, arranger and educator, Gordon has been a regular guest performer and teacher at the University for nearly 30 years. He has composed and premiered numerous compositions at Scranton through the University’s World Premiere Composition Series, as well as a piece composed and premiered for the celebration of the inauguration of University President Kevin Quinn, S.J. in 2016, and has performed as soloist with various student ensembles at Scranton.

Named the Jazz Journalists Association “Trombonist of the Year” for a record-breaking 15 times, Gordon has topped Downbeat Critics Poll for “Best Trombone” for an unprecedented six times (2020, 2018, 2016, 2014, 2013 and 2012). Recent awards include the “Louie Award,” the International Trombone Award and the Satchmo Award, among others. A prolific recording artist, Gordon can be heard on hundreds of recordings, soundtracks, live DVD’s and documentaries, and has an extensive catalog of original compositions that span the various timbres of jazz and chamber music.  His arrangement of the theme song to NPR’s “All Things Considered” is heard daily across the globe.  

Krupa is also a returning guest to the World Premiere and a regular guest artist at the University with student ensembles and her own quintet. An accomplished performer and educator, as well as a prolific arranger and composer who has contributed original works and arrangements to a wide variety of ensembles, Krupa’s extensive discography spans nearly 30 recordings with artists including Gordon. Renowned for her exceptional musicianship, transformative teaching, and dedicated service to the jazz community, her influence extends across generations of musicians and audiences worldwide.

Recently retired from a two-decade career with the United States Navy Jazz Commodores, where she served in a variety of roles, including lead trombonist and Music Director, Krupa is currently lead trombonist with the Smithsonian Jazz Masterworks Orchestra and the DIVA Jazz Orchestra. Krupa is also a faculty member at The Juilliard School. She has led guest clinics, masterclasses and adjudications nationwide, guest-conducted the Juilliard Jazz Orchestra, and presented at the Jazz Educators Network, Midwest Clinic and the International Trombone Festival.

“I am enjoying preparing the band for Jen’s arrival and am very much looking forward to meeting her, working with her, and hearing the piece come together with the band and Wycliffe under Jen’s direction,” said Janelle Decker, conductor and co-director of Performance Music.

Performance Music at The University of Scranton has now commissioned 100-plus musical works in the 42 years since the series was created. The primary focus of Performance Music at the University is its student choral and instrumental performing ensembles.

All University students (undergraduate and graduate) are eligible for membership in the University bands, choirs, string ensembles and steel drum band. Hundreds of students, spanning the curriculum and bonded by a love of music, participate each year in the ensembles.

For more information on the concert, call 570-941-7624, email music@scranton.edu or visit scranton.edu/music. Visit wycliffegordon.com for more information on Gordon and jenkrupa.com for more information on Krupa.

On Friday, Apr. 4, Performance Music at The University of Scranton will present a recital entitled “Rhapsody in Blue at 100” featuring the acclaimed Frederick Hohman, D.M.A., premiering the first full organ transcription of Gershwin’s “Rhapsody in Blue.” The concert begins at 7:30 p.m. in the Houlihan-McLean Center, Mulberry Street and Jefferson Avenue. Admission is free and the concert is open to the public. Seating is on a first-come, first-seated basis.

According to Cheryl Y. Boga, conductor and director of Performance Music, this will be Dr. Hohman’s 4^th visit to Houlihan McLean to perform on its fully restored and historic Austin Opus 301 Symphonic Organ. “Every visit by Fred is what I like to call an organ adventure – he doesn’t just perform a concert, he shares his passion and knowledge of the instrument at every opportunity during his visit.”

In addition to being a concert organist of stunning musicality and virtuosity, Dr. Hohman is an award-winning composer of organ and choral music, a creator of organ transcriptions, an online educator, a musical instrument designer and a classical music audio-video producer. Hohman earned his performer’s certificate, Mus.B., M.M. and D.M.A. in the organ studio of David Craighead at The Eastman School. In 1984, he won First Prize in both the prestigious Clarence Mader and Arthur Poister competitions. This was the first step leading to decades of organ concert tours, taking him throughout the world, appearing in concert and religious venues, including appearances before regional and national conventions of the American Guild of Organists (AGO), The Organ Historical Society and The American Institute of Organbuilders.

Dr. Hohman founded the recording label Pro Organo in 1985 and has overseen the production and release of over 300 organ and choral music titles, including 16 releases, of which he is also the featured artist. Acclaimed by a critic with The Diapason magazine as “one of the symphonic organ’s strongest exponents,” during the 1980s, Dr. Hohman championed a revival of the Symphonic School of organ-playing. His writings and recordings ignited a revival in symphonic organ literature and performance practices of the early 20th century, which led to his first organ transcription publications and several additional CD releases.

Dr. Hohman has served The American Guild of Organists (AGO) on its national committees focused upon education and was commissioned by them to appear as video instructor in a series of 30 AGO-produced videos entitled “Lessons for the New Organist,” which are free for all to view at AGO’s website. Hohman has also provided written guidance and encouragement to aspiring organists as an adjudicator in 20 national and international organ competitions.

The University of Scranton’s Houlihan-McLean Center Austin Opus 301 symphonic organ was built in 1910 by the Austin Organ Company of Hartford Connecticut for the Immanuel Baptist Church in Scranton and was restored and re-dedicated by the university in 2005 in a recital performed by Thomas Murray of Yale University. Since then, many renowned organists have performed on the instrument in solo-recitals, and it has accompanied the university’s student ensembles in the performance of many major works of the choral and instrumental repertoires. The instrument is one of the few rare surviving original examples of early 20th-century organ building, and the impressive instrument possesses a total of 3,178 pipes, 45 ranks and four manuals. The instrument is currently maintained by Clem, Cole, Dan, and Steve, technicians/artists from Emery Brothers/Dieffenbach organs.

For further information on the recital, call 570-941-7624, email music@scranton.edu or visit scranton.edu/music. For more info on Dr. Hohman, visit frederickhohman.net.